A Study of Sankirna Ragas in Karnatak Music
| dc.contributor.guide | Meera Rajaram Pranesh | |
| dc.coverage.spatial | ||
| dc.creator.researcher | Sharanya, R | |
| dc.date.accessioned | 2025-06-04T11:21:19Z | |
| dc.date.available | 2025-06-04T11:21:19Z | |
| dc.date.awarded | 2024 | |
| dc.date.completed | 2024 | |
| dc.date.registered | ||
| dc.description.abstract | Rand#257;ga is a melodic entity that forms the crux of Karnatak Music. The fundamental principles of rand#257;gas stem from its sound classification system that has evolved over the years. Rand#257;ga classification system that is currently in vogue is one that is based on the notes it takes and its attribution to a scale with the corresponding notes. A rand#257;ga s characteristics could evolve itself with changing times but its melodic edifice, which is its core, remains intact and survives the changes with efflux of time. A rand#257;ga ebbs and flows like a river, in which merge its tributaries inspite of meandering in its path. This study is an earnest attempt to delve deep into the core of a rand#257;ga, its genesis, its evolution and its form in textual and practice traditions. newline | |
| dc.description.note | ||
| dc.format.accompanyingmaterial | None | |
| dc.format.dimensions | ||
| dc.format.extent | 185p. | |
| dc.identifier.researcherid | 0000-0002-8636-5339 | |
| dc.identifier.uri | http://hdl.handle.net/10603/644034 | |
| dc.language | English | |
| dc.publisher.institution | Music | |
| dc.publisher.place | Bengaluru | |
| dc.publisher.university | Jain University | |
| dc.relation | ||
| dc.rights | university | |
| dc.source.university | University | |
| dc.subject.keyword | Arts and Humanities | |
| dc.subject.keyword | Folklore | |
| dc.title | A Study of Sankirna Ragas in Karnatak Music | |
| dc.title.alternative | ||
| dc.type.degree | Ph.D. |
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