Affective visuality a study of pathos in the works of select Indian Photojournalists

dc.contributor.guide	Pruthi, Harpreet
dc.coverage.spatial	English and Cultural Studies
dc.creator.researcher	Trikha, Poorva
dc.date.accessioned	2020-12-24T12:03:00Z
dc.date.available	2020-12-24T12:03:00Z
dc.date.awarded	2020
dc.date.completed	2019
dc.date.registered	2014
dc.description.abstract	The thesis titled Affective Visuality: A Study of Pathos in the Works of Select Indian Photojournalists is a pioneer study in the field of Indian Photojournalism. It studies the photographic works of four Indian photojournalists namely Raghu Rai, Pablo Bartholomew, Arko Datta and Altaf Qadri. The selected photographs have been studied in detail to comprehensively understand the meaning of the photographs and also how they make the viewers feel . This research emphasizes the need for critical viewership and systematic and pluralistic interpretation of photographs. newline
dc.description.note	Bibliography 211-237p.
dc.format.accompanyingmaterial	CD
dc.format.dimensions	-
dc.format.extent	237p.
dc.identifier.uri	http://hdl.handle.net/10603/309880
dc.language	English
dc.publisher.institution	Department of English
dc.publisher.place	Chandigarh
dc.publisher.university	Panjab University
dc.relation	-
dc.rights	university
dc.source.university	University
dc.subject.keyword	Affect Theory
dc.subject.keyword	Pathos
dc.subject.keyword	Photography
dc.subject.keyword	Photojournalism
dc.subject.keyword	Visual Culture
dc.title	Affective visuality a study of pathos in the works of select Indian Photojournalists
dc.title.alternative
dc.type.degree	Ph.D.