Jain Dharm Main Nihit Kala Dershan

Abstract

newline Jainism is an ancient and non-violence-oriented religion. In various parts of India, there are exemplary instances of Jain architecture, sculpture, and visual arts. Among them, prominent centers include Khajuraho, Kundalpur, Pavagiri, Shravanabelagola, Moodabidri, Sammed Shikhar, Badami, and Sittanavasal. Through the creation of these exquisite artistic expressions, Jain art has not only aimed to elevate the spiritual and moral standards of the people but has also added aesthetic beauty to different regions of the country. Symbols play a significant role in art, simplifying the expression of emotions. The use of symbols is evident in the available artworks in the Jain style as well. In Jain art, Ashtapratishtary, meaning eight auspicious objects, worldly trees, Shatlekhya, and other symbols have been employed. The Jain artistic style depicts the life and teachings of Mahavira, Jain monks, followers, the 24 Tirthankaras, and events related to them. Additionally, these artworks portray women in an idealized manner. The progression of Jain art on palm leaf manuscripts is notable. Acharya Jinavijay writes that the sequential development of Jain art on palm leaf manuscripts is depicted in this illustrated book, making it valuable and attractive. The letters of the manuscripts are intricately decorated, and illustrations of revered deities are also created on the pages. Several times, the Devanagari script is skillfully incorporated into belbuto designs, providing a unique form to the letters. Thus, through the artistic presentation of these manuscripts, Jain calligraphy seamlessly integrates with the visual art of Jain paintings.quot newline newline